Creature Feature

Creature Feature

Eric Rewitzer grew up in 1970s suburban Detroit, where Saturdays at 3:30pm meant one thing: tuning in to Channel 50 for Creature Feature. He’d wait in eager anticipation for the announcer to reveal the afternoon’s movie, thrilled whenever a Godzilla film lit up the screen. Long before he understood the deeper symbolism behind these monsters, he was hooked—captivated by the spectacle, the scale, the drama.

Decades later, now living and working in California, those childhood memories came roaring back. Inspired by the monsters that once filled his TV screen—and fueled by a lifelong love of bold visual storytelling—Eric returned to them with carving tools in hand. On a massive 3-foot-by-3-foot sheet of linoleum, he began to sketch and cut, bringing these creatures into his grown-up world.

Only now, they weren’t trampling Tokyo—they were stomping through San Francisco. These prints are part nostalgia, part homage, with a stylistic nod to Frank Miller’s ink-drenched panels. The result: a dramatic series that bridges memory, myth, and place.

Printed in California
Archival Quality
Signed by the artist

About These Prints

We professionally scan Eric’s original linocut prints to create high-quality digital reproductions, which are then printed using 8-color archival inks on bright white, heavyweight archival paper. The result is vibrant, crisp, and true to the original.

Each print is individually printed, trimmed, signed, and embossed by Eric in his studio in the Sierra Nevada foothills—crafted with care from start to finish.

Framing and Delivery

We offer professional framing and delivery to addresses in and around San Francisco, Sacramento, and the Sierra Nevada foothills.

Fill out this form to receive a quick, competitive quote—we’d love to help you get your new artwork on the wall, beautifully framed and ready to enjoy.

Eric's Process

Eric incorporates a variety of ephemera—origami papers, vintage comics, currency, and book pages—to add color and visual interest to his prints. Each piece of paper is carefully selected, then run through a Xyron machine to apply an archival adhesive backing.

He then hand-cuts and assembles the papers directly onto the inked surface of the linoleum plate. This intricate collage process can take several hours, as every element is thoughtfully placed. Once complete, he lays a sheet of Rives BFK paper over the assembled design and runs it through his etching press.

The result? The papers adhere to the print, the ink overprints the collage, and a bold, one-of-a-kind artwork is born—layered, textured, and completely unique.

Need a Different Size?

We can print up to 44 inches wide on most of our designs. If you’re looking for a specific size, please Email Us About Framing—we’re happy to provide a custom quote. Thank you!